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  • Review: “The Brutalist” – Brady Corbet

    February 27, 2025February 26, 2025

    In The Brutalist, director Brady Corbet embarks on an ambitious journey, crafting a sprawling narrative that delves into the complexities of ambition,

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  • Kritik: “We Live In Time” – John Crowley

    February 26, 2025

    Wir leben in der Zeit. Sie vergeht jede Stunde, Minute oder Sekunde, ob wir wollen oder nicht. Die Zeit, die uns auf

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  • Review: “We Live In Time” – John Crowley

    February 26, 2025

    We live in time. It passes every hour, minute or second, whether we like it or not. The time we are given

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  • Review: Mickey 17 – Bong Joon-ho

    February 23, 2025February 26, 2025

    Director Bong Joon-ho returns with a thought-provoking narrative that delves into the complexities of identity, mortality, and the ethical implications of cloning.

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Review: “Nosferatu” – Robert Eggers

February 20, 2025February 26, 2025
Movie Reviews
by justmiaslife
3 mins read

Robert Eggers’ “Nosferatu” emerges as a masterful reimagining of F.W. Murnau’s 1922 silent horror classic, blending meticulous period detail with a fresh,

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Review: “Companion” – Drew Hancock

February 18, 2025February 26, 2025
Movie Reviews
by justmiaslife
2 mins read

Drew Hancock’s Companion takes a more intimate approach to the genre, crafting a gripping, unsettling thriller that dives deep into the ethical

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Review: “A Complete Unknown” – James Mangold

February 10, 2025February 26, 2025
Movie Reviews
by justmiaslife
4 mins read

In A Complete Unknown, director James Mangold ventures into the labyrinthine persona of Bob Dylan, delivering a biopic that is as enigmatic

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Review: “Wolf Man” – Leigh Whannell

February 2, 2025February 26, 2025
Movie Reviews
by justmiaslife
4 mins read

In the pantheon of cinematic monsters, the werewolf stands as a symbol of primal fear and transformation. Leigh Whannell’s Wolf Man aspires

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Review: “Babygirl” – Halina Reijn

December 15, 2024February 26, 2025
Movie Reviews
by justmiaslife
3 mins read

Director Halina Reijn delivers a provocative and unflinching examination of power dynamics, desire, and self-discovery within the corporate world in “Babygirl”. Starring

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