Category: Movie Reviews
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Review: “We Live In Time” – John Crowley
We live in time. It passes every hour, minute or second, whether we like it or not. The time we are given on this earth is precious and there are so many ways to live it. You don’t have to choose between loved ones or your passion, in sickness and in health we can cry,…
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Review: Mickey 17 – Bong Joon-ho
Director Bong Joon-ho returns with a thought-provoking narrative that delves into the complexities of identity, mortality, and the ethical implications of cloning. Adapted from Edward Ashton’s novel Mickey7, the film presents a futuristic tale that challenges societal norms and questions the essence of human existence. Set in a not-so-distant future, the story follows Mickey Barnes…
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Review: “A Real Pain” – Jesse Eisenberg
In “A Real Pain”, Jesse Eisenberg steps behind the camera to deliver a film that deftly intertwines dark humor with profound introspection. This 2024 release stands out as a compelling narrative that delves into the complexities of familial bonds, inherited trauma, and the often uncomfortable journey of self-discovery. The story centers on cousins David (Eisenberg)…
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Review: “Nosferatu” – Robert Eggers
Robert Eggers’ “Nosferatu” emerges as a masterful reimagining of F.W. Murnau’s 1922 silent horror classic, blending meticulous period detail with a fresh, unsettling vision. This film not only pays homage to its predecessor but also carves out its own distinct identity in the annals of horror cinema. Set against the eerie backdrop of 19th-century Transylvania…
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Review: “Companion” – Drew Hancock
Drew Hancock’s Companion takes a more intimate approach to the genre, crafting a gripping, unsettling thriller that dives deep into the ethical and emotional minefield of artificial intelligence in human relationships. The film follows Josh (Jack Quaid), who introduces his new girlfriend, Iris (Sophie Thatcher), to his friends during a weekend getaway at a remote…
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Review: “A Complete Unknown” – James Mangold
In A Complete Unknown, director James Mangold ventures into the labyrinthine persona of Bob Dylan, delivering a biopic that is as enigmatic and multifaceted as its subject. Eschewing traditional narrative structures, the film offers a kaleidoscopic portrayal of Dylan’s early years, capturing the mercurial essence of an artist perpetually in flux. Timothée Chalamet’s portrayal of…
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Review: “Wolf Man” – Leigh Whannell
In the pantheon of cinematic monsters, the werewolf stands as a symbol of primal fear and transformation. Leigh Whannell’s Wolf Man aspires to rejuvenate this iconic figure for a contemporary audience, yet despite its ambitious premise and a cast brimming with potential, the film falters in execution, delivering a narrative that is both underdeveloped and…
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Review: “Babygirl” – Halina Reijn
Director Halina Reijn delivers a provocative and unflinching examination of power dynamics, desire, and self-discovery within the corporate world in “Babygirl”. Starring Nicole Kidman as Romy Mathis, a high-powered CEO, and Harris Dickinson as Samuel, her intern, the film ventures into uncharted territory, offering a raw and nuanced portrayal of a complex relationship that defies…
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Review: “Queer”
No one has the same disciplined work ethic in Hollywood as Luca Guardagnino (except perhaps Ayo Edebiri, who ironically will star in his next film). It almost feels like the Italian director, who has acclaimed films like ‘Call Me By Your Name’, ‘Bones and All’ and most recently the superb ‘Challengers’ under his belt, is…
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Review: “Blitz”
“All we need is love,” says director Steve McQueen at the press conference for his film ‘Blitz’, whose DNA, like the Briton himself, is anchored in the history of this country. An epic that illuminates an event through the eyes of a mixed racial 9-year-old boy who is separated from his mother and has to…